The Civil War was a tragic confrontation of a once unified people deeply divided by polarized values. There were heroes on both sides who fought hard for what they believed in, strongly convinced that their cause was the righteous one. Lives were lost, and great damage was done before the healing could begin again. But what exactly was the cause of this bitter strife that wrecked the nation? Honestly, the answer is complex and it depends on who you ask. I did the research, and after looking diligently into the matter, I’ve offered a summary of the various theories. Continue reading
You hear from time to time about liberal Hollywood. Hollywood is full of liberals. Hollywood’s liberal agenda. Holly-weird. Hell-i-wood. This year we saw campaign ads featuring famous actors telling us to save the world by voting (obviously for Hillary Clinton). At the Golden Globes Meryl Streep, well, if you saw it you saw it. This may be the most liberal we’ve seen Hollywood in a long time (and maybe ever), but this isn’t Hollywood lashing out as a world of liberals so much as it is Hollywood lashing out as an enemy of Donald Trump. And this time they see someone they can’t help but recognize: A rich celebrity with less political experience than most politicians.
Marvel’s Luke Cage on Netflix is not your typical comics-to-screen project. It contains heavier amounts of profanity (including the first Marvel use of the “n word”). It takes place in Harlem. It gets heavily political, rather than merely nodding to current events. And it feels very real.
I know. I know. Christian entertainment is sometimes a joke to Christians, not because they’re not living true Christian lives, but because it sometimes seems that Christians who make movies for and about Christians don’t seem to know how to make movies, or don’t know how to match the power of the Gospel with a film story without cheapening the Gospel.
Much has been said about the Pixar theory wherein all the movies are linked to a single universe in which the inanimate objects and imaginary beings of our world are real and sentient.
In Toy Story, we had sentient toys. In Cars, we have sentient cars. The difference? In Toy Story, humans are still here, but in Cars, people are gone.
The dead are alive.
This is what we mean by specters. In what is likely Daniel Craig’s last 007 film, we see an immortal James Bond confronted by his entire mythology, coming to terms with his increasingly irrelevant role as an old-fashion spy in a postmodern world. It took four films to do it.
Batman has always been famous for his villains almost more than the hero himself. Instead of being based on superpowers, these criminals are based on their own kind of gimmicks, some sort of symbolic costume and modus operandi that makes them more realistic than superpower villains, yet more meaningful than the Dick Tracy gangsters they sometimes resemble. Continue reading